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Contrariamente a lo\nque un primer análisis podria sugerir, CAMPO no\nes una obra de carácter folklórico. El material te\nmático y sonoro utilizado, desbordan las posibi\nlidades ofrecidas por un cancionero popular pobre\ny escasamente variado. A través de una exacta\ntransustanciación de paisajes y leyendas, distancia\ny soledad, Fabini da, en CAMPO, una imagen\nexacta y plenamente representativa del medio ru\nral uruguayo.\nII y III) El \"Intermezzo\" y el \"Triste N^ 1\"\nde Fabini constituyen junto con otras breves pie- •\nzas, el primer aporte significativo a la literatura\npianística nacional. Fueron escritas en Bruselas\nentre los años 1900 y 1903.\nIV) La ISLA DE LOS CEIBOS, concebida origi\nnariamente como preludio de una ópera regional,\nlogra total suges^^ón de ambiente. Las copas flore\ncidas del monte de ceibos que inspiraran al artista\nel nombre de la obertura, así como el cántico\nsostenido del sabia criollo, se suman y ascienden\npara darnos la visión de un paisaje, encendido y\ntransfigurado, por el rojo de nuestra flor simbó\nlica. Esta obra fue escrita en el verano de 1926,\ny estrenada el 28 de octubre del mismo año, bajo\nla dirección del autor, al frente del conjunto de\nla Asociación Orquestal del Uruguay.\n\nN. 1S de Mayo 1882, en Sotís de Mataojo, Dpto\nLayalleja, R.O.U. m. 17 de Mayo 1950, en\nMontevideo).\nEDUARDO FABINI, violinista y compositor, re\npresenta la personalidad más definida y el más\nalto valor dentro de la creación musical uruguaya.\nEs de los escasísimos músicos americanos que lo\ngraron dar una imagen sonora exacta, intensa e\nÍnter nacionalmente válida de su país, sin haber\nincidido en el vulgar pintoresquismo descriptivo,\nni haber recurrido a la fácil estructura rapsódica.\nSu obra se yergue sobre el panorama americano,\nen virtud de su calidad especial, a la que contri\nbuyen: la nobleza de inspiración melódica, la au\ntenticidad con que las vivencias del .pueblo y del\npaisaje uruguayos han sido captadas, y el domi\nnio de las técnicas europeas, puesto por Fabini,\nal ssrvívio de la expresión más genuina def sen\ntimiento americano. Pese a su vigencia como com\npositor nacionalista, Fabini prescindió del docu\nmento folklórico, del cual tomó sólo su expresi\nvidad íntima, pero obligándolo a trascender sus\ncercanos límites formales. Así, las arcaicas can\nciones de la Pampa (vidalitas, estilos, pericones,\netc.) se ven liberadas de su pobre envoltura, y\ndignificadas, en lo más auténtico de su espíritu,\nen el \"lied\" de forma libre, en el poema sinfó\nnico o en la composición instrumental breve. Por\nsu innegable jerarquía y valor representativo. I\nmúsica de Fabini está llamada a perdurar en él\nespacio y en el tiempo.\nRoberto La^armilla\n\nLa SALA DE ESTUDIANTES DE MUSICOLO\nGÍA, integrante del CENTRO DE ESTUDIANTES\nDE HUMANIDADES de la FACULTAD DE HU\nMANIDADES Y CIENCIAS lleva a feliz término\nla edición de este disco, contando con el estímulo\ndel Señor Rector, Dr. Mario CassinonL del Señor\nDecano, Dr. Emilio Oribe, del Consejo Directivo\nde nuestra casa de estudios y del Consejo Central\nde la Universidad.\nExpresamos nuestro reconocimiento a la Comi\nsión Directiva del Servicio Oficial de Difusión\nRadio Eléctrica, al Circulo de la Orquesta Sinfónica\ndel Sodre y al Maestro Lamberto Baldi que nos\nconcedieron generosamente la interpretación del\nPoema Sinfónico \"CAMPO\".\nAl destacado pianista Hugo Balzo, por sus ver\nsiones de alto nivel artístico, del \"Intermezzo\" y\n\"Triste N^ 1\". También a la Sinfónica de Bratislava y al director uruguayo. Maestro Juan Protasi,\npor el permiso acordado para utilizar la interpre\ntación de la Obertura \"Isla de los Ceibos\".\nEstas colaboraciones y la dedicación de direc\ntores y técnicos de Antar Telefunken, posibilita\nron a la SALA DE ESTUDIANTES DE MUSICOLO\nGÍA la culminación exitosa de una difícil empresa,\ncon que se inaugura en nuestro medie, una difu\nsión que desde hace tiempo, merece nuestra cul\ntura musical.\nMontevideo, noviembre de 1956.\nFelicia B. Mari\n*Secretaria General de la\nSALA DE ESTUDIANTES\nDE MUSICOLOGÍA\nRubén Ornar Cae lili\nSecretario General del\n\nCENTRO DE ESTUDIANTES DE\nHUMANIDADES\n\n�"]]]]]]]]],["collection",{"collectionId":"15"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2593"},["text","Disco L.P. Fabini - Poema Sinfónico\" Campo\""]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2594"},["text","Disco \r\nARCA\r\nEduardo Fabini\r\nSala de Estudiantes de Musicología\r\n\r\n"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2595"},["text","Disco de Ëduardo Fabini\r\nLong Play con grabaciones realizadas por la Sala de Estudiantes de Musicología de la Facultad de Humanidades y Ciencias de la Educación, interpretando la obra \"Campo\". Agradecimiento a las autoridades universitarias, al Servicio Oficial de Difusón Radio Eléctrica, al Circulo de la Orquesta Sinfónica del Sodre y al Maestro Lamberto Baldi. "]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2596"},["text","Universidad de la República\r\nFacultad de Humanidades y Ciencias"]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"2597"},["text","Archivo UPPU-FEUU"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"2598"},["text","Archivo Central Universitario de la FHCE\r\nCentro de Documentación, Información Archivística y Digitalización\r\n"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2599"},["text","Noviembre de 1958"]]]],["element",{"elementId":"37"},["name","Contributor"],["description","An entity responsible for making contributions to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2600"},["text","Archivo Central Universitario"]]]],["element",{"elementId":"42"},["name","Format"],["description","The file format, physical medium, or dimensions of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2602"},["text","Disco de vinilo Long play"]]]],["element",{"elementId":"51"},["name","Type"],["description","The nature or genre of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2603"},["text","Disco de vinilo"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2604"},["text","UY858-Udelar-FHC-ACUFHCE"]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"2605"},["text","Montevideo - Uruguay\r\nUniversidad de la República\r\nFacultad de Humanidades y Ciencias de la Educación\r\nArchivo Central Universitario de la FHCE"]]]]]]],["tagContainer",["tag",{"tagId":"315"},["name","Eduardo Fabini"]],["tag",{"tagId":"316"},["name","Obra musical \"Campo\""]]]]]